Group 1

Description:

We all seek a rounder tone, greater flexibility, and better endurance. No resource is more valuable for this than Max Schlossberg’s “Daily Drills and Technical Studies.” It’s a work that’s full of challenges, but also rich rewards when we apply sound principles to the page. Join us in this exclusive tonebase Two Week Intensive as Head of Trumpet, Ethan Chilton takes us into the mind of one of the trumpet’s greatest pedagogues.

Core Concepts:

  • Tone Production: An open, resonant sound in every register
  • Flexibility: Moving from center-to-center across the harmonic series
  • Applying new skills to repertoire: Learning how to take newfound principles and apply them directly to the music we play

Who Should Attend:

This course is tailored for trumpeters who are feeling stuck in their pursuit of flexibility and challenged by Schlossberg’s exercises. How do we play clean slurs that are in tune at a very slow tempo? This and other questions will be addressed. Trumpeters who are already competent with their flexibility skills but seek refinement are also encouraged to attend.

Learning Outcomes:

By the end of the course, participants will have a much-increased understanding of the mechanics involved in slurring from note to note in a relaxed, efficient way, and will have more insight into how to use Schlossberg’s exercises in their practice routine.

Join Us:

Embark on this technical journey as we delve deep into the world of the Schlossberg and solidify building blocks for many years to come!

Timeline

  • Sign-Up : October 19th-22nd
  • Course Period: October 23rd - November 6th

18 replies

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    • Trumpet Lead
    • Ethan
    • 2 mths ago
    • Reported - view

    Hello everyone! Here is the video for your first week of the Schlossberg Challenge. 

    This week we will look at Schlossberg No. 5 from page 2. Play this daily at a very slow tempo. 

     

    Good luck! Let me know if you have any questions :) 

     

    https://youtu.be/R3EpTePm8eo

    • Trumpet Lead
    • Ethan
    • 2 mths ago
    • Reported - view

    Here is a PDF of this page :) 

    • Trumpet Lead
    • Ethan
    • 2 mths ago
    • Reported - view

    If anyone is looking for help on how to post a video to YouTube and share here, check out this video by Dominic over at tonebase piano! 

    https://www.youtube.com/watch?v=_G1rURBIr14&feature=youtu.be

    • Trumpet Lead
    • Ethan
    • 2 mths ago
    • Reported - view

    Good morning everyone! Week 2 has arrived. Here is the new video for this week - looking at Schlossberg 13 and 17 :) 

     

    https://youtu.be/LKmPkUJPBLY

      • Trumpet Lead
      • Ethan
      • 2 mths ago
      • Reported - view

       Here is a PDF of the score for this week!

    • normal person (female)
    • Heidi_Kuss
    • 2 mths ago
    • Reported - view

    hi Ethan,

    thanks for thinking about me !! I am still figuring out how to record myself and share the whole thing on youtube. I played Schloßberg a long time ago, interesting how it feels to play it again. Speed 48pM !! greetings from Germany !!

      • Trumpet Lead
      • Ethan
      • 2 mths ago
      • Reported - view

       Hey Heidi! Thanks for reminding me... I'll post a video about how to share a video to YouTube :) 

    • Indrek_Koff
    • 2 mths ago
    • Reported - view

    Here’s a first try of recording. Bad sound (phone) but better than nothing :)

     

    https://youtu.be/8bB2NNWmXgs?si=YKZuH4kLrxNQsshG

      • Trumpet Lead
      • Ethan
      • 2 mths ago
      • Reported - view

       Thanks for making the inaugural submission! Really nice job with this. Sound is smooth and stable. 
       

      I'd recommend trying also while keeping the mouthpiece on the lips and breathing in through the corners. This can be great for endurance building. 
       

      There are a few moments where the pitch fluctuates a bit at the beginnings and endings of notes. See if you can begin the note immediately in the resonant center so there are no dips or scoops. It comes down to steady air and just memorizing the precise sensation of "centeredness" via repetition. Keep going, soft and steady, and you're well on your way! Fabulous! 

    • Shawn
    • 2 mths ago
    • Reported - view

    Here is my recording.  Using lip bends and breathing through my nose for extra "burn".

      • Shawn
      • 2 mths ago
      • Reported - view

      https://youtu.be/Y49KNuv7Els

      Here is the ljnk.

      • Trumpet Lead
      • Ethan
      • 2 mths ago
      • Reported - view

       Hey Shawn, thanks so much for your submission! Nice centered sound, excellent work. 

      I appreciate that you're breathing through the nose - definitely creates an extra burn. I didn't specifically get into this in the lesson, but pulling back the lips and taking a mouth breath through the corners can actually help us keep our embouchure corners nice and firm. Otherwise the corners can tend to sag and we may put too much pressure on the front of the lips if we aren't careful. However, using a strict nose breath is it's own kind of challenge - be sure not to use too much pressure and you should be fine! 

    • Joyfully Retired
    • Eric.1
    • 2 mths ago
    • Reported - view

    Hey all - didn't see this initial email - starting today and will catch up

      • Trumpet Lead
      • Ethan
      • 2 mths ago
      • Reported - view

      Welcome! 

    • Nick
    • 2 mths ago
    • Reported - view

    Hi, Here is my week 1 submission.  Not my best and need to learn how to record better but wanted to get something out there.  Any feedback is appreciated.

    https://youtu.be/sV_bQOltXaY?si=xUWsdEOMCozZKQ1l

    Thanks,

    Nick

      • Trumpet Lead
      • Ethan
      • 2 mths ago
      • Reported - view

       Thanks Nick for a great submission! Your attacks are very well coordinated and your sound has a nice core to it. A couple things I might think about

      - Give yourself a little bit more support with the intercostal muscles/diaphragm when you exhale. The airflow sounds a bit erratic. I would also like to see you take a larger inhale, ideally through the corners or through the nose. 

      - There is some gravel/noise in your sound sometimes. Think about opening up the throat nice and wide as you exhale. Make sure your lips aren't too close together in the mouthpiece, either. Practicing very very soft will clean up the noise in your sound! 

      - Finally, make sure you work on moving from "center to center" in the words of James Stamp. The moment you put your valves down, you should snap into the center of the new pitch instantly. 

      Overall, good work! 

    • Steve_Brecker
    • 2 mths ago
    • Reported - view

    Ethan, you asked what else we would like to see.  I have been playing the Stamp exercises as part of my warmup for the last several years since my lip injury.  They have been quite helpful in recovering my usable playing range up to high C but I’ve been struggling to expand them beyond high C. Would you be interested in doing a course on the best way to practice Stamp to expand range? Or alternatively the Caruso method. Before my injury I used Caruso to attain a consistent F above high C but in my current condition Caruso tires me out too much to do it daily and still get through my weekly playing commitments.  Thanks! 

      • Trumpet Lead
      • Ethan
      • 2 mths ago
      • Reported - view

       Hey Steve, great question and thanks for sharing! I will certainly try to put that in the rotation. Stamp in particular has been interpreted in many different ways, but the principles are more important than the exact exercise you do. 

Content aside

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