Group 2

Please read the assignments below before watching!

Description

In this Three-Week Intensive, tonebase trumpet lead Ethan Chilton provides the ultimate blueprint to playing a lip trill. Building up from the foundational movements required of the tongue and facial muscles, this class provides all the concepts and practice you need to master your first lip trills. Ethan utilizes practice exercises from Earl Irons to help build flexibility, and Arban to work on gradually increasing the speed of our note changes. There are two video assignments, which Ethan responds to with personalized feedback!

What to Expect:

  • 🔗 Guided Exercises: Each week, enjoy a new video where Ethan outlines a structured theory of practice, and demonstrates simple, concrete exercises designed to amplify a specific skillset.
  • 🎶 Expert Guidance: Led by Ethan Chilton, professional LA-based trumpeter who built the tonebase trumpet library, these sessions offer a unique insight into the tools and concepts that working trumpeters rely on to develop and refine their flexibility.
  • 🤝 Community Interaction: Share your experiences, receive feedback from peers, and engage in a supportive community of fellow music enthusiasts and aspiring performers.

 

Who Should Attend:

🎺 This course is tailored for a trumpeter at any level looking for some structure toward their pursuit of improving or refining their lip trill. No pre-requisite knowledge is required, though basic proficiency with the trumpet is highly recommended.

What is Covered:

📚 Participants will explore concepts in the structure and anatomy of the tongue and face, how to identify by feel the relevant muscles, how to avoid bad habits when performing flexibility exercises, ways of troubleshooting stubborn lip trills, and how to work gradually up to a full-speed lip trill. At the end, you’ll be asked to submit two short optional video assignments for direct feedback from Ethan.

No special equipment is needed to get started; just bring your enthusiasm, a working trumpet, some curiosity, and whatever recording tools you have—your journey to a lip trill begins here!

Timeline

  • Sign-Up : August 19th - August 25th
  • Course Period: August 26th - September 15th
  • Optional check-In via Zoom: September 10th

 

Scores and Assignments:

developing_a_lip_trill_tonebase_trumpet_scores

 Lessons

Lesson 1: Understanding the Tongue

Week 1: August 26th - September 1st

https://youtu.be/7tYLPcAFTVs

For your first week, start with two lessons! Ethan provides an overview of the first primary driver in lip trilling: the tongue. Ethan uses anatomical models, syllables, and simple exercises to help us find the right spot on the tongue. By focusing on subtle, efficient tongue movements, musicians can perform smooth, fast lip trills, enhancing their overall tone, flexibility, and endurance.

 

Lesson 2: The Embouchure’s Role in Lip Trills

Week 1: August 26th - September 1st

https://youtu.be/mVFwjyeBvMg

The embouchure, which is the second driver of a lip trill, is responsible for two main actions: slight engagement of the "smile muscles" (including the levator and zygomaticus muscles) and a microscopic upward movement of the jaw. These movements create firmness and tautness in the corners of the mouth, aiding in raising the pitch. Common issues include loss of tautness, insufficient air flow, or incorrect aperture settings, which can be addressed by adjusting muscle engagement, air support, and tongue positioning.

 

Lesson 3: Practicing Flexibility with Irons

Week 2: September 2nd - 8th

https://youtu.be/ms8k8h5mKDo

This week, we'll develop control over the tongue and embouchure by practicing slow lip slurs from Earl Irons’ 27 Groups of Exercises. Begin with Group 1, focusing on pulling the horn away and compressing with the diaphragm. Think in long phrases rather than individual notes. We'll then move to Groups 5 and 7, practicing softly with a metronome. Use the troubleshooting guide from last week if needed. Practice strictly but limit sessions to 5-10 minutes daily to avoid fatigue. Continue with other groups as needed, and submit an optional video check-in demonstrating evenness in Group 5.

 

Lesson 4: Arban Lip Trill Exercises

Week 3: September 9th - 15th

https://youtu.be/pHPTOo3IXJg

This week, build your lip trill skills using the Arban method. Warm up with exercises 16-21 on page 42, then focus on exercise 22 on page 44. Use the troubleshooting guide as needed, take breaks, and stay within your comfortable range. Exercise 23 is more challenging – so focus on tongue engagement and rest as needed. Ethan also demonstrates exercise 26 for a different approach. End your sessions with a warm-down of pedal tone arpeggios!

 

Final Assignment:

Record a performance of just 2 or 3 lines of Arban exercise 22. You may opt for a preliminary exercise (16-21) instead. Ethan will be responding personally to every video that’s posted and offering some feedback. Videos must be uploaded by 11:59 PM PST on September 15th to be considered for feedback. 

 

Scores and Assignments:

developing_a_lip_trill_tonebase_trumpet_scores

How to Submit A Video Assignment

Upload your finished video you youtube.com as Unlisted.

Then, copy the link and paste it into a comment below, with a brief description of what you played and what improved while going through this course! 

Please reach out to Ethan via e-mail if you have any further questions! 

5 replies

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    • Shawn
    • 4 mths ago
    • Reported - view
      • Trumpet Lead
      • Ethan
      • 4 mths ago
      • Reported - view

       Hey Shawn, thanks so much for your submission! 
      You have a really nice sound and are doing a good job of connecting the notes very smoothly. Good work!
      I agree that your low register could be a bit better supported. But I'd also experiment with a slight horn pivot when you go into the very low register. I noticed your horn angle is very consistent, and while this isn't a bad thing, if a pivot will help you play with the right resonance and centered pitch, it's worth it. Many players angle the bell of the horn slightly upwards when they go below the staff, angling the head slightly downwards. 

      Try some Clarke 1 slurred and tongued and notice if your sound gets blatty or out of focus at any point. Stamp-style arpeggios are also great for noticing this. Remember that lots of soft legato articulation practice is important to balance the flexibility practice we do. 

      I did a live stream on Intonation that might also have useful concepts for you. Ultimately, our goal is not necessarily intonation - it's RESONANCE. We want to get the mouth shape just right for those low notes so that we're playing in tune with what our horn naturally wants to do (not lipping up or down). Then we can use the slides or make lip adjustments once we're certain that we're playing with proper resonance. 

      I might also recommend practicing Irons with a drone (not a tuner as there isn't any auditory reinforcement). Go to YouTube and type in "cello drones" and there's a great playlist you'll find that I use most days. 

      Finally, I think the chair you're using might contribute to less-than-ideal posture. Try practicing these while standing, or sitting on the very edge of your seat. 

      Hope this helps!

    • Shawn
    • 3 mths ago
    • Reported - view
      • Trumpet Lead
      • Ethan
      • 3 mths ago
      • Reported - view

       Cool shirt ;)
      And great job with this! Intervals are clear, tuning is spot-on. Only thing is the time could maybe be clearer in the sextuplets. I lose the pulse a bit there. I highly recommend doing these with a metronome so you can be very precise about where you currently are and measure your growth. If you know the tempo at which you can play the sextuplets slow and perfect, you can always go up by 1 click a day! 

    • Boaz
    • 2 days ago
    • Reported - view

Content aside

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