Group 1

Please read the assignments below before watching!

Description

Join Ethan Chilton, lead at tonebase trumpet, for a two-week intensive class designed to give you structured guidance on producing a better sound. Whatever your preferred style to play, creating a balance between air and vibration can help us discover a more resonant and flowing sound!

What to Expect:

  • 🔗 Guided Exercises: Each of the 4 lessons provides a simple, concrete exercise that builds on the previous one, from long tones and pitch bends to a simple flow etude. Learn by example as Ethan demonstrates and discusses the principles that make it work.
  • 🎶 Expert Guidance: Led by Ethan Chilton, professional LA-based trumpeter who built the tonebase trumpet library, these sessions offer a unique insight into the tools and concepts that working trumpeters rely on every single day to have the most beautiful sound possible.
  • 🤝 Community Interaction: Share your experiences, receive feedback from peers and your instructor, and engage in a supportive community of fellow music enthusiasts and aspiring producers.

Who Should Attend:

This course is tailored for a trumpeter at any level looking for some structure toward their pursuit of improving or refining their sound. No pre-requisite knowledge is required, though basic proficiency with the trumpet is highly recommended.

What is Covered:

Participants will explore how our concept of sound impacts the result, how “poo” attacks can help us balance air with vibration, what the role of the tongue is in producing an efficient sound, and how we can build flow (connection from note to note)!

No special equipment is needed to get started; just bring your enthusiasm, a working trumpet, and whatever recording tools you have—your journey to a beautiful sound begins here!

Timeline:

  • Sign-Up : April 25th - April 28th
  • Course Period: April 29th - May 10th
  • Optional check-In via Zoom: May 6th
  • Delivery of Final Feedback: May 10th

Assignments

Week 1:

Monday 4/29: Lesson 1: Introduction and Sound Concept

https://www.youtube.com/watch?v=XbA0-jkO_rc

 

Link to PDF Workbook

- Assignment: Identify 3-5 adjectives that describe the sound that YOU want for yourself. Avoid the words “bright” and “dark.” You can optionally provide the names of 3-5 players whose sounds you’d like to assimilate in some way in the way that you play. These will provide references for you as you continue in this course!

 

Wednesday 5/1: Lesson 2: Air and Vibration

https://youtu.be/hqISXtmACk8

 

Link to PDF Workbook

- Assignment: Practice the long tone and bend sequence every day for the rest of this two-week intensive (and optionally, beyond!) Optionally, post a video of yourself playing the sequence, and Ethan will personally respond to every post!

 

Friday 5/3: Lesson 3: Engaging the Tongue / James Stamp

https://youtu.be/_jyL1SITBwY

 

Link to PDF Workbook

- Assignment: In addition to your long tone and bend sequences, practice Stamp No. 3 every day (the score is provided at the bottom of the workbook), thinking about tongue engagement and maintaining flow. Post a video of yourself playing the sequence in a few keys, and Ethan will personally respond to every post! Ask any questions that you might have in the forum below, so others can learn with you.

 

Week 2:

Monday 5/6: Zoom Check-In with Ethan (Optional) 

Join here from 11:00 - 11:30 AM PST 

https://zoom.us/j/97436684859?pwd=UnhJNlJWNE0vUUtoWkZmYjBzR2hXUT09

Or, if you can't make this time, ask me a question and I'll send you a response!

 

Wednesday 5/8: Lesson 4: Concone Lyrical Etude

https://youtu.be/Osg9ospDdDA

Link to PDF Workbook

- Assignment: To bring it all together, submit a video recording of yourself playing Concone Lyrical Etude No. 1 (the score is provided at the bottom of the PDF Workbook). Focus on tone, flow, sound concept, and engaging the tongue. Additionally, write a short paragraph with your video about what was easy, what was challenging, and what you’d like to improve about your performance.

 

Friday 5/10: Final day for video submissions / last day of feedback

 

How to submit your assignments:

Write your assignments in a comment on this forum post (not as YouTube comment).  

For submitting videos, we recommend filming videos from a smartphone and then uploading them to YouTube from your desktop computer. Set the Visibility to Unlisted (not Private). Then copy and paste the video link into your comment! Please let me know if you have any issues or questions and we will try to assist ASAP. 

 

Best of luck to everyone, and happy practicing! 🎺

13 replies

null
    • Trumpet Lead
    • Ethan
    • 8 mths ago
    • Reported - view

    Whenever you have completed a lesson, please submit your assignments as a comment here! Thanks, and excited to hear you all :)

      • Steve
      • 8 mths ago
      • Reported - view

       Lesson 1:  Clear tone; pitched centered; Clifford Brown; not airy; natural vibrato; smooth note changes; Chris Botti.

      • Trumpet Lead
      • Ethan
      • 8 mths ago
      • Reported - view

       Excellent picks! 

    • Eric
    • 8 mths ago
    • Reported - view

    Warm, relaxed, open, broad, clear.  For lead work, I'd add commanding.  For some intimate jazz work add smokey or airy.

      • Trumpet Lead
      • Ethan
      • 8 mths ago
      • Reported - view

       Really nice adjectives! When trying to play more "smokey" or "airy," I'd just take care to not use LESS air. What you can experiment with is relaxing the corners of the embouchure. Then, like detuning a drum, you'll actually have to use more air to get the same frequency of vibration as before. But you might get closer to the sound you're looking for. Of course, there are lots of ways to do this!

    • Trumpet Lead
    • Ethan
    • 8 mths ago
    • Reported - view

    Hi everyone - I'm opening up my Zoom room at 11 AM PST (30 minutes from now) at the link below! I'll be around for half an hour, come stop by and we can talk about any questions you may have had with the assignment! 

    If you can't make this time, no sweat - you can always drop me a message!

    https://zoom.us/j/97436684859?pwd=UnhJNlJWNE0vUUtoWkZmYjBzR2hXUT09

    • Steve
    • 8 mths ago
    • Reported - view

    https://youtu.be/q_PQKbiuqUE

    A few lip bends; a little Stampp 3

      • Trumpet Lead
      • Ethan
      • 7 mths ago
      • Reported - view

       Hi Steve! Thanks a lot for your submission. 
      Your sound is quite open and pure - nice work. For each of the bends, I think you could bend the pitch further down. If you struggle with this, think about a combination of these elements: relaxing the jaw, slightly lowering the tongue, and speeding up the air slightly. Then, when you bend back up, make sure you don't overshoot the original pitch. I'd especially recommend you do each of these with a drone so you can hear everything in finer detail. 

      Great job with the Stamp exercises! There is always more we can do to connect notes, and that's exactly why Stamp is surprisingly difficult to play clean. To clean this up even more, I'd recommend slow soft practice of each exercise with a drone. Try to get to the center of the pitch immediately. But you've done a lot of great work already. 

    • Steve
    • 7 mths ago
    • Reported - view

    Lesson 4  Concone #1     Group 1

    https://youtu.be/EM26V9SdVwc

    This lyrical study was more challenging than it looks. A number of elements are added beyond a long tone, all affecting sound to some degree. Tempo, pitch, note counting, some wide intervals. The most challenging parts for me were the decrescendos while the notes were climbing.

      • Trumpet Lead
      • Ethan
      • 7 mths ago
      • Reported - view

       Thanks for sharing. I agree, Concone is a lot more challenging than it looks! 

      Something nobody has talked about yet here is how we end phrases. The last note in a phrase shouldn't die and fall away. Instead, the core of the note remains strong until the very last instant. But there IS a taper at the end of a long note. Every note is a living and breathing entity, 

      In general, Steve, I'd recommend you practice long tones at various dynamics. Play a 16 count middle C and every two bars change dynamic: mf << f >> mp >> pp without letting the pitch change. This will help isolate the mechanism that controls dynamics. You'll find that playing softer requires a narrowing of the aperture, and sometimes that means we have to blow a bit harder from the diaphragm to get the note out. The back of the tongue also has to be engaged in a shh + eu position. 

      Finally, I'd advise playing this study a bit slower and making sure you're counting all the beats correctly. But all in all, really nice work!

      • Steve
      • 7 mths ago
      • Reported - view

      Thanks for the tips!

    • Eric
    • 7 mths ago
    • Reported - view

    Lesson 4: https://youtu.be/FnzwXMs4FFw

    This one is deceptive.  It's easy to play, hard to play well.  It's very naked, and it exposes all the flaws in tone.  I'm a comeback player with about 6 months of dedicated practice since picking back up, and you can hear I'm still having trouble keeping my notes centered and staying open as the pitch gets above a D.  Attacks are also pretty rough still, especially when trying to do soft attacks in this piece.  And of course my dynamics are pretty non-existent.

      • Trumpet Lead
      • Ethan
      • 7 mths ago
      • Reported - view

       Thanks for your submission Eric!! I agree, it is definitely deceptive. The beginning is literally just a C major scale.. but to play it with nuance and musicality takes a lifetime. 

      You mentioned some things that you can definitely still improve (patience is key!) 

      Of those, here are the areas I'd recommend you practice every day: 

      - soft tongue attacks on notes in all registers... work on crispness of articulation, and accuracy of pitch!!!

      - soft long tones to stabilize the pitch... but it's very important to vary dynamics when you practice this, as I've recommend to others, and I recommend using drones instead of tuners

      - do something like Stamp every day to work on flow and connection from note to note

      - practice lots of music! etudes like this, at least 1 or 2 every day. I just released a tonebase course I taught titled Working Up to Repertoire that I'd recommend you check out. It's long and thorough - I go through several weeks' worth of etude practice and tie it in to certain fundamentals that go with them! 

      Best of luck! 

Content aside

  • 1 Likes
  • 7 mths agoLast active
  • 13Replies
  • 112Views
  • 5 Following